Search results for "Fictional universe"

showing 6 items of 6 documents

Matei Visniec: aproximación a un universo dramático a través de sus animales

2014

Matei Visniec (1956) is an author from Romania, who uses both French and Romanian expression in his plays. The coordinates of his dramatic fictional universe bring together the absurd, the symbolic, the fantastic and the conflicts in the city of men, sometimes with accurate historical and current references. Animals, present onstage in many different ways, are very common in his plays. They constitute a strange wildlife between animal and human, between the real and the fantastic.Their presence in this theatrical universe fits into their symbolic aspect, which defies the imagination by means of what is enigmatic and incomprehensible; but it also falls into their committed side to the extent…

AbsurdismFantastiqueLinguistics and LanguageHistoryLiterature and Literary TheoryAbsurd[SHS.LITT]Humanities and Social Sciences/LiteratureSymbolicabsurdHuman conditionAbsurdeSymboliqueLanguage and Linguistics[SHS.LITT] Humanities and Social Sciences/LiteratureanimalFantasticTheatreTeatre (Gènere literari) S. XX Història i críticaThéâtreThéâtre - 20e siècleEngagementlcsh:French literature - Italian literature - Spanish literature - Portuguese literatureMatei VisniecAnimalfantasticRomanianFictional universecommitment16. Peace & justicelanguage.human_languageExpression (architecture)AestheticsCommitmenttheatrelcsh:PQ1-3999languagesymbolicThe SymbolicSymbolique -- Au théâtreUniverse (mathematics)
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Towards a lexicogrammatical pattern in Swedish crime novels

2013

The success of Swedish crime novels has been noted and discussed at length. Much of this commentary refers to a salient characteristic atmosphere which seems to be a common feature of most if not all Scandinavian crime novels. In this paper the potential of some recurring lexicogrammatical features to construct this characteristically gloomy and sombre atmosphere is presented and discussed. It will be shown that the vague feeling of unease which is perceived while reading these fictional texts is linguistically attestable. The analysis is conducted within the framework of M.A.K. Halliday’s systemic-functional grammar (SFG) which will be applied to three contemporary Swedish crime novels by …

Cultural StudiesLinguistics and LanguageLiterature and Literary TheoryGrammarmedia_common.quotation_subjectFictional universeAtmosphere (architecture and spatial design)Language and LinguisticsLinguisticsFeelingSalientReading (process)Systemic functional grammarSociologyConstruct (philosophy)media_commonLiterary Linguistics
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Digital Games in Early Childhood: Broadening Definitions of Learning, Literacy, and Play

2017

Digital games attract children and young people with imaginary worlds, fascinating stories, and shared experiences with peers. They also can add children’s learning and motivation and offer a variety of new affordances to explore and play with. The pedagogical use of digital games has been found to potentially intensify a more critical use and understanding of varied forms of media. In this chapter, we will focus on analyzing the role of digital games in early childhood, especially from the perspectives of learning, literacy, and play. This chapter examines digital games as playing an essential role in young children’s overall technology experiences, particularly in the context of the socia…

Early childhood educationoppiminenmedia_common.quotation_subjectContext (language use)GeneralLiterature_MISCELLANEOUSLiteracyvarhaislapsuus050906 social workPolitical sciencePedagogyMathematics educationEarly childhoodAffordancemedia_commonleikki05 social sciencesFictional universeComputingMilieux_PERSONALCOMPUTING050301 educationVariety (cybernetics)Social dynamicslukutaitoplay0509 other social sciences0503 educationdigitaaliset pelit
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Los diferentes «tiempos» en Bourrasque de Hélène Lenoir

2011

Hélène Lenoir présente dans Bourrasque, le premier de ses romans, une vision du temps particulière et caractéristique de son univers romanesque. A travers différentes techniques stylistiques, le temps abstrait et chronologique de l’histoire se transforme en temps expérimenté et vécu par le personnage principal. Dans Bourrasque le temps se manifeste en tant qu’expérience personnelle d’un personnage qui réfléchit à propos de son passé (mémoire), qui observe le présent (vision) et qui pense le futur (projection). Hélène Lenoir presents in the first of her novels, Bourrasque, a distinctive and characteristic vision of time within her fictional universe. Through various stylistic techniques, the…

Linguistics and LanguagevisionLiterature and Literary TheoryVisionmedia_common.quotation_subjectpersonal experienceMémoireLanguage and LinguisticsTimememoryProjection (mathematics)MemoryExpérience personnelleProjectionPersonal experiencetimemedia_commonLiteraturelcsh:French literature - Italian literature - Spanish literature - Portuguese literaturebusiness.industryFictional universeArtTempsprojection.Character (mathematics)lcsh:PQ1-3999Chronological timebusiness
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From Fantasy to Magic Realism

1998

Much use has been made of the term ‘magic realism’ to refer to texts which introduce an important ‘imaginary’ dimension into ‘realistic’ evocations of the world. The Cuban Alejo Carpentier has also coined the phrase to real maravilloso (marvellous reality) which he applies to a vision characteristic of Central and South America.

PhraseAestheticsMagic realismmedia_common.quotation_subjectFictional universeArtFantasyDimension (data warehouse)Term (logic)The Imaginarymedia_common
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Los Subalternos en las ficciones de apropiación de menores

2013

the rol of the subordinates in the appropriation of children during the Argentinian Dictatorship has been questioned in several disciplines. However, are the works of  the writer Martín Kohan which have managed to tell the untold history in a very effective way by condensing it in the creation of a credible fictional world and, because of that, grinding. In Dos veces junio, as well as in Cuentas pendientes, the consequences of the banality of evil are obvious, since it represents the consensus set within the different levels of the repressive State machinery and glipmse the consequences of all this in the life of future generations.

Subalternos – Apropiación de niños – Dictadura Argentina- Martín KohanAppropriationLiterature and Literary TheoryState (polity)media_common.quotation_subjectFictional universePerformance artSubordinates Appropriation of Children Argentina Dictatorship Martín KohanArtDictatorshipHumanitiesCartographymedia_commonMitologías hoy
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